Verse two restates because the model has nothing to advance
Songwriting has a name for this. Second verse hell, the place where the song stops moving and everybody notices except the person who wrote it.
The advice is unanimous. The Essential Secrets of Songwriting gives the standard version: verse two continues the story, lifts the emotional register, and usually thickens the arrangement behind it. Move the time, change the place, shift who is speaking.
All of it correct, and all of it written for a person who could have advanced the story and did not.
The model could not have
Ask a model to write verse two and look at what it is holding. Your first verse, and an instruction to produce another one of those.
There is no later scene, because you never mentioned one. There is no consequence, because nothing has happened yet outside those four lines. The most probable continuation of a verse about selling a car in April is another verse about selling a car in April, in different words, with more feeling in them.
That is not the model failing to advance the story. That is the model completing the prompt you gave it. Restatement is the correct answer to "write me another verse like that one".
The AI-side guides answer a different question. HookGenius, on fixing Suno repetition, tells you to tag the sections and vary the words, because identical lyrics produce identical-sounding sections. That is true, and it is about the arrangement looping. Missing tags are their own problem. Neither one explains why the words came out saying the same thing, and neither one writes verse two.
The test that catches it
Put verse two before verse one and read the song. If nothing breaks, nothing was added.
[Verse 1]
I sold the car in April to a kid
He asked me why the mirror had a crack
[Verse 2]
I sold it in April, I did not want to
The driveway looks too big without it there
Swap those and the song is unchanged, which is the whole diagnosis. The second verse adds a feeling, which feels like progress while you are writing and reads as repetition the next morning.
Now one that fails the swap:
[Verse 2]
In August I still walk out with the keys
The kid from the coast sends photos of the trip
The time moved, the consequence arrived, and somebody else is in the song. Put that first and the story runs backwards.
Give it the thing it does not have
The fix is not a better prompt for verse two. It is one sentence written before anything is generated: what does verse two know that verse one did not?
Answer it in the brief, not in the lyric. "Four months later, the buyer is happy and the driveway is still empty." Now the model has a second fact, and the most probable continuation is the one you wanted.
The same sentence works on your own second verse when you write it by hand, which is the tell that this was always a briefing problem rather than a model problem.
Write that sentence before your next generation, and read the two verses in the wrong order after it.